The Triennale is like a pumping system to show the potential of the arts in other industries in the city.
The contemporary art scene in Nepal
Niranjan Kunwar | March 1, 2017The contemporary art scene in Nepal might be vibrant but it’s not unambiguous. Who are the true contemporary Nepali artists of this decade? And what exactly do we mean by the term?
Editorial, Green Issue
Rabi Thapa | February 10, 2017Many a Nepali has gleefully derided a foreign hill, smug in the possession of the highest mountains in the world. I confess I am one such geo-populist.
No place like home
Nepalikukur | January 25, 2017It’s not easy being green, as Kermit the Frog says. In a world of long-distance travel and consumption, the pursuit of consistently green living may seem downright quixotic.
JLF 2017 Diary: skipping to words
Iona Liddell | January 22, 2017A black man in the US, Beatty is permanently uncomfortable. Typecast as a writer of satire, he thinks instead that he is just writing from that point of discomfort
JLF 2017 Diary: tales of tongues
Yukta Bajracharya | January 19, 2017My tongue didn’t have a mind of its own. It had already become accustomed to life in exile, and it didn’t think much of returning home.
An interview with Kamal Mani Dixit, 1962
Uttam Kunwar | January 8, 2017Kamal Dixit passed away on December 29, 2016 at his residence in Patan Dhoka. He was 87 years old. This is a translation by Niranjan Kunwar of an article from Uttam Kunwar’s anthology of interviews, Srasta ra Sahitya (Authors and Literature).
A tale of two momos
Nepalikukur | January 1, 2017Was it conceivable that I was leaving behind a world of cold cuts, fiery chwoela, crunchy sekuwa, tangy drumsticks, juicy steaks and unbeatable dalbhatmasu?







