Tenderness takes work and acceptance, Yukta says. And tenderness in the workplace depends largely on the way you see work.

La.Lit, in partnership with the Open Institute, is pleased to announce the second edition of the La.Lit Fellowships in Nonfiction: New Ethnographic Writing. The NEW 2019 Fellowships aim to produce high-quality, research-driven writing.

आमै प्राय भनी राख्थिन्, “आइतीको जस्तो जिन्दगी त शत्रुले पनि बाँच्नु नपरोस् ।” आइती अर्थात् मेरी क्षामा, क्षामा अर्थात् आमाकी बहिनी । संसारमा मैले राम्ररी नियालेका र चिनेका मान्छे मध्ये पहिलो आमा अनि उनै क्षामा...

Her daughters would be strong, they would do whatever they wanted.
They would not give up their dreams, would not become her.
Perhaps that’s why she would try to steer us away from stereotypes – away from kitchens and brooms, away from frilly dresses and colourful nail polishes.

Breaking the Bracket 2019: A Writing Program, is inviting young, emerging female and gender non-conforming writers writing in Nepali languages and English to participate in a year long program.

So what do we love, in the end? An amalgam of carbon, hydrogen, nitrogen and phosphorus? Or a projection, a shadow, a signal that blinks off when its physical progenitor ceases to draw breath?

La.Lit, the literary magazine from Nepal, is partnering with writer Samrat Upadhyay to organize the fourth edition of Writing Nepal: A Short Story Contest.

What this collection is not is just a paean to a lost homeland or the pain of exile. In stories both accomplished and inept, there is a nuanced look at what it means to be Tibetan, not just as a nationality, a political or religious identity, but as simply human.

When Lama Wangchuk shoved his huge feet into my new shoes, I knew they would never be the same again. Both his feet and my shoes. He lifted his maroon monk robe to admire them, turning his feet side to side, pivoting on his toes.