Non Fiction

Keeping The Story Straight

Dylan Harris | April 26, 2019

Where do socio-economic dispossession and marginalization end and the physical realities of climate change begin? What’s in a definition? Who gets to define it? As the climate continues to change, who is in charge to telling its stories? The “refugees”? The people calling them refugees?

Oh, English!

Laxmi Prasad Devkota | April 12, 2019

I used to think that being able to rattle away in English was the greatest of achievements and sought to follow the diktat of the wet nurses of English education, “To earn money, study English.”

Syangja Days – III

Nepalikukur | June 6, 2018

Where’s the pleasure in tea without a bit of a burp?

Syangja Days – II

Nepalikukur | May 10, 2018

Up and over a suspension bridge, past a tarp slipping off a bamboo frame littered with the aftermath of a bāluwā-gitti party – Himalayan Dragon Beer empties, half-devoured meals, a sodden fire, bike helmet, damp blankets.

“The Birds Will Eat My Bones”: Perhaps a Eulogy for an Impossible Saint

Benjamin Linder | March 17, 2018

John was drunk the first time I met him – 68 years old, thin but tough, short but imposing.

A selfie in the wild

Amish Mulmi | October 4, 2017

For the family of eight walking in front of us, though, it’s a moment of raucous joy. First, a young child, about eight years old, attempts to kick out at the Tahr. The animal seems unfamiliar with this gesture, and quickens its pace.

An extraordinary punctuation: a perspective on living in Trump’s America

Savanna Ferguson | June 16, 2017

Before the election, as sexist and racist and consumptive as I know Americans are, I believed we knew what was right even if we didn’t always do what was right.

Keeping the faith

Nepalikukur | March 26, 2017

Do I imagine myself visiting a gobargas project in the sticks to see if my environmental sins are being alchemized into virtue?

The contemporary art scene in Nepal

Niranjan Kunwar | March 1, 2017

The contemporary art scene in Nepal might be vibrant but it’s not unambiguous. Who are the true contemporary Nepali artists of this decade? And what exactly do we mean by the term?