Perhaps our salvation and power lie in standing together and sharing our stories, loudly and clearly.
Perhaps our salvation and power lie in standing together and sharing our stories, loudly and clearly.
Of a sudden I find myself transported to a cottage of my own, an hour from Pokhara, a dusty, longish bus from Kathmandu.
The third edition of La.Lit’s Writing Nepal short story contest, judged by US-based Nepali writer Samrat Upadhyay, has been won by Dipesh Risal with his short story ‘The Almost Enlightenment of Prince Trailokya’.
A few days ago, judge Samrat Upadhyay sent us the shortlist for the third edition of La.Lit’s short story competition, Writing Nepal. So here it is, in no particular order except the alphabetical, the 6 shortlisted entries!
With the untimely demise of Dr Dina Bangdel on July 25, 2017 the world lost an outstanding art historian specialising in traditional Himalayan and modern and contemporary South Asian art.
Through her personal history, she exposes how our national, collective history discards women’s experiences by always focusing on paternal family history and lineage.
This is an exercise in deciding whom to cast my vote for in the first local elections since the turn of the millennium. We have one last weekend to mull over whom we would like to represent our interests, after 15 years of mulling over what our interests are.
The Triennale is like a pumping system to show the potential of the arts in other industries in the city.
The contemporary art scene in Nepal might be vibrant but it’s not unambiguous. Who are the true contemporary Nepali artists of this decade? And what exactly do we mean by the term?
