Only Preeti and Sachi had no fears. They sat at the edge of the gorge, the one that divided their neighbourhood from Chundevi, and dangled their feet into its abyss as though nothing could frighten them this morning – not the dark trees below their toes, nor the darker flowers.

‘Line of Thought: Dialogues on Pedagogy and Personal Practices’, running at the Nepal Art Council in Babarmahal until Saturday, 18th January, 2020, intends to start conversations, some beyond pedagogy and practice.

Metal does not come in circles or spheres; they have to be shaped carefully with a hammer or on a steady shaping tool for bigger pieces. The chair’s design was simple, and I began to describe the cuts, bends, the grinding and the welding that had gone into the chair. A friend was amused that a rusty old chair in the middle of nowhere had meant something to me.

In January 2005, my heart was torn between two women. By June, it was in tatters.

Jebin Gautam’s ‘The Last Morning Rendezvous’, a story of a woman navigating a specious relationship, won first place in the fourth edition of Writing Nepal: A Short Story Contest.

Devkota’s Shākuntal is far from being a simple translation or even an adaptation. It is, to use the words of P. Lal, a ‘transcreation’. Reading Devkota’s Shākuntal gives the sense of a sustained dialogue between two Māhakāvis of two distinct, but related, cultural and poetic traditions.

After a fall of reading and re-reading your submissions to the fourth edition of La.Lit’s Writing Nepal: A Short Story Contest, Judge Samrat Upadhayay has revealed his picks!

Tenderness takes work and acceptance, Yukta says. And tenderness in the workplace depends largely on the way you see work.

La.Lit, in partnership with the Open Institute, is pleased to announce the second edition of the La.Lit Fellowships in Nonfiction: New Ethnographic Writing. The NEW 2019 Fellowships aim to produce high-quality, research-driven writing.