Three is an oblique, incomplete number. Three is a number of charm. Once is an accident, twice is coincidence, three times a pattern.
Besides the usual requirements of a successful theatre production, the solo performance presents the actor with a specific set of challenges. How does he convey the nuances of an interaction when half of the dialogue isn’t heard? What does he do to convey the particulars of a story when the other characters aren’t seen? Or, […]